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Featured News
Elektra Records 75th Anniversary
By Harvey Kubernik
As part of Elektra Records’ 75th Anniversary celebration, Rhino Entertainment has just released an extensive collection of iconic Elektra titles on vinyl. The series -
Featured Articles
Brian Wilson 1942-2025
By Harvey Kubernik
On June 11, 2025, Brian Douglas Wilson, co-founder of the Beach Boys died.
During February 2024 he had been diagnosed with dementia, and three months later Wilson en -
The Attack: An Interview with Richard Shirman
By Mike Stax
Inhabiting a region of the sonic solar system somewhere between the Creation and the Small Faces, the Attack languished in comparative obscurity back in their day, only to be recognized decades later as one of the most exciting bands of the era.
That none of the band’s four singles for Decca cracked the charts was more down to bad luck and record company incompetence than any shortcomings on the band’s part. Their first effort, in January 1967, was a sharp version of the Ohio Express/Standells nugget “Try It,” backed with the great, Hammond-drenched mover “We Don’t Know.” Composed by singer Richard Shirman and lead guitarist Davy O’List, the song was nominally based on an obscure soul single, Mona Lisa’s “They Don’t Know,” with new, sarcastic social comment lyrics, including the opening salvo: “We don’t know about the H-Bomb / We don’t know about drugs / We don’t know what is going on / They say that we are thugs.”

The Attack, 1967. L to R: Richard Shirman, Barney Barnfield, Davy O’List, Gerry Henderson, Bob Hodges (glasses). (Photo courtesy Phil Smee)
While “Try It” failed to click with the record buying public, the band felt they were onto a sure thing with their next release, “Hi Ho Silver Lining,” but they were beaten to the bunch by Jeff Beck who romped into the charts with his Mickie Most-produced version after the Attack’s record was delayed at the pressing plant. The B-side was a cracker too. Based on a blistering guitar hook by O’List, “Any More Than I Do” was the Attack at their most incendiary, and still thrills every time. Totally disillusioned by the failure of “Hi Ho Silver Lining,” this lineup folded shortly afterwards, with O’List going on to the Nice.
The Monks – Monk Time
This article was the cover story of Issue #11 of UGLY THINGS in the spring of 1992. At this point in time, only two of the original Monks had been located. In the years that followed there would be a book (Eddie Shaw’s Black Monk Time), reunion concerts, an award-winning documentary (Transatlantic Feedback, directed by Dietmar Post and Lucia Palacios), tribute albums, and numerous reissues. But UGLY THINGS got there first.
I’d like to dedicate this article to the memories of Dave Day Havlicek and Roger Johnston.
MONKS STORY by Mike Stax / INTERVIEWS by Keith Patterson and Mike Stax
The music of the Monks is the stuff of true greatness: huge chunks of reverberating bass and drum rhythms, beaten into further frenzied overdrive by the atonal gash of an electrified banjo; this overlaid with the rapid-fire piercing squeals of delirious organ wailings and the hum and howl of fuzz and feedback as some maniac jaggedly assaults an electric guitar; this all pushing forward the angst-driven, aggressive voices shouting: “I hate you baby with a passion…” “People go to their deaths for you…” “Boys are boys and girls are joys…” “Pussy galore is coming down and we like it… we don’t like the atomic bomb…” “Shut up! Don’t cry!” and “Higgle-Dy Piggle-Dy—let’s do it!”
Bert Jansch – 1943-2011
by Alan Bisbort
“The Death of Bert Jansch” sounds like the name of a traditional folk song that Jansch himself might have resurrected on one of his early solo albums. Sadly, this imaginary song came true on October 5, 2011, when the legendary musician—whom Neil Young likened to “Jimi Hendrix on the acoustic guitar” and whose cross-generational influence is admitted by the likes of Keith Richards, Jimmy Page, Donovan, Johnny Marr, Joanna Newsom, Beth Orton and Devendra Banhart—died at age 67 after a battle with cancer. (more…)