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Patti Smith Upcoming Tour for 50th Anniversary of Horses
By Harvey Kubernik
“Horses was like the first cannon blast in a war – frightening and disorienting. I mean, she was so unlike the FM radio terrain in every way. She was literate, aggress -
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Chasing the White Light: Lou Reed, the Telepathic Secretary and Metal Machine Music
By David Holzer
Fifty years ago, Lou Reed released Transformer. In among “Walk on the Wild Side,” “Make Up” and “Vicious,” cuts that would launch a cartoon Rock N Roll Animal pers -
ORIGINAL SOUNDTRACKS – Bali High / Crystal Voyager / Morning of the Earth (Anthology) CDs/LPs
Although all three of these releases are of a piece in that they were soundtracks to surf movies, leave your expectations behind. Forget the hot rods, Fender Jaguars and girls, girls, girls—the amped-up excitement of what most of us consider “surfing tunes” has no place on the other side of the world. Instead, these connect with the stonier, more cosmic side of the lifestyle that one would find in a place like Bali rather than Santa Monica (well, early-’60s Santa Monica, at least). In fact, the mystical pull of Bali plays a strong role throughout and, although the work of a single musician, the sprawling Bali High is the most frenetic and disjointed of the trio. Recorded by Hawaiian virtuoso Michael Sena, this epic double LP release was filmmaker Stephen Spaulding’s attempt to recreate the vibe of the unlicensed music of his ‘60s and ‘70s heroes that he used to cut the original film. Sena effortlessly reproduces the feel of Santana, the Stones, Marley and more, but with an early-’80s production that puts his guitar somewhere on the slightly more soulless Satriani/Zappa axis, with a slick fusion production. It’s diverse—and admirable—enough to merit a first listen, but doesn’t hold up as anything you’d want to return to.
The other two reissues are more of a piece, utilizing a consistent host of Australian rock and country artists. G Wayne Thomas, who only released one album under his own name in 1973, made his first appearance on 1972’s Morning Of The Earth soundtrack, giving an appropriately we-are-all-the-universe feel to the title track. Several other one-hit (or no-hit) wonders offer up singer-songwriter tracks that amble on pleasantly enough, but don’t justify the label hype of “psychedelic” music (with the rare exception being prog outfit Tamam Shud’s floaty and brilliant “Bali Waters,” which sounds like an outtake from Islands-era King Crimson).
Thomas handles all the songwriting chores on 1973’s Crystal Voyager, which is the most cohesive of the set. Given two full sides, he finds the stoned soul of the classic Eastern Hemisphere surf trip, leading a band that’s able to develop a buoyant, country rock/soft-sike stride and makes the LP feel like more of an actual album than a soundtrack. (Alex Stimmel)
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